Жюри конкурса "Моя Италия"

 Roberto Denti Roberto Denti
&
Art name is Roberto Dellaterra 
Via Ponzio, Italy
Founder " Photography and Art Substantial " 1985 Honorary Meritorius Academic 2008 Manifesto "Quantum Art" 2010 Founder “Quantum Art Group Italy” 2011 Founder "QAGI-Quantum Art Group International"

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New logo QAGI 2013

 Lidia Panzeri  Lidia Panzeri
Born in Lombardia; classical studies, honours degree in semiology at Catholic University of Milan.
I live in Venice in hystorical palace.
Essays: in literature, semiology, art (both ancient and contemporary).
Dossier about Biennale of Venice from 1990 to next 2017.
I write for different magazine and journal , particularly for “The Art Newspaper”

Giorgio Bonomi Giorgio Bonomi

Giorgio Bonomi nasce a Roma nel 1946. Qui si laurea in Filosofia presso l’Università La Sapienza, con una tesi su Gramsci che sarà poi pubblicata dalle edizioni Feltrinelli, Partito e rivoluzione in Gramsci, nella collana “I fatti e le idee” serie Filosofia, e tradotto in spagnolo dalle edizioni Avance.
Faranno seguito una serie di studi e di saggi, in Italia e all’estero, su Gramsci, il marxismo, il comunismo, le teorie della cultura (“Annali Feltrinelli”, “Les Temps Modernes”, “El viejo topo”, “Problemi del socialismo”, “Il quotidiano dei lavoratori”, “il Manifesto”, ecc.).
Contemporaneamente partecipa attivamente al movimento politico nato nel 1968, militando prima nel Movimento studentesco romano e poi in vari gruppi politici, allora definiti “extraparlamentari”, con incarichi nazionali e occupandosi prevalentemente di politica culturale.
Nel 1972 si trasferisce a Perugia, ove tuttora risiede. Qui insegna nelle Scuole superiori per circa quindici anni e poi lavora come ricercatore all’IRRSAE dell’Umbria per altrettanti anni.
Negli anni ’80 è stato dirigente nazionale del PdUP, dell’ARCI e, dal 1980 al1985, Consigliere Comunale del Comune di Perugia. Nello stesso tempo e in seguito ricopre vari incarichi pubblici in Umbria (Consigliere d’Amministrazione dell’Azienda di Turismo, del Teatro Stabile, vicepresidente della Fondazione Umbria Spettacolo, ecc.)
Nel 1985 abbandona la politica attiva e da allora in poi si dedica all’arte contemporanea come critico e curatore di mostre in spazi pubblici e privati, in Italia e all’estero, e collabora a varie riviste. Negli anni Ottanta fonda e dirige la rivista d’arte contemporanea “Artinumbria”, poi trasformata in “Titolo”.
È stato il curatore del CERP (Centro Espositivo della Rocca Paolina) della Provincia di Perugia.
Dal 2004 al 2007 è stato Direttore della Fondazione Zappettini per l’arte contemporanea di Chiavari e Milano, e, nel 1992, 1994, 2006, 2008, della Biennale di Gubbio; è stato membro dell’Assemblea della Fondazione Accademia di Belle Arti di Perugia di cui è Accademico d’onore; è stato il Direttore artistico del Premio Limen 2013.
Tra le circa duecento mostre che ha curato, in Italia e all’estero, ricordiamo: Trilogia, dal 1991 al 1999 al CERP di Perugia con artisti quali Castellani, Fogliati, Aricò, Staccioli, Pinelli, Dadamaino, Gastini, Uncini, Cotani; la XXI, la XXII, la XXIV, la XXV e la XXVI Biennale di scultura di Gubbio; Presenze. Artisti stranieri oggi in Italia, edizioni 1991,1993,1995,1997, Perugia ed altre sedi; Fabrizio Plessi, Perugia, CERP, 1995; Joseph Beuys. Difesa della natura, ivi 1996; Pino Pinelli, Kunst Forum, Rottweil (Germania), 1997; Arte astratta italiana dal 1960 al 1997, Dumontkunsthalle, Colonia (Germania), 1997; Il corpo assente, Galleria La Giarina, Verona, 1998-1999 e Kunstverein, Steyr (Austria), 1999; Le soglie della pittura. Francia-Italia 1968-1998, Perugia, CERP 1999; Fluxus nella sua epoca, Napoli, Villa Comunale, 2000; Oltre la superficie (Fontana, Burri, Castellani, Dadamaino, Pinelli, ecc.), Perugia, CERP, 2001; Biennale di Paraxo, Alassio, 2002 e 2004; Fontana, Manzoni, Pinelli, Rottweil, Kreissparkasse, 2003; Pittura 70, Chiavari, Fondazione Zappettini; Museo d’arte moderna, Gallarate, 2004; Istituto Italiano di Cultura di Praga, 2005, e di Londra, 2006; Oltre il monocromo, Chiavari, Fondazione Zappettini, 2004; Il ritmo dei segni: Accardi, Castellani, Asdrubali, Firenze, Galleria Santo Ficara, 2004; Maria Mulas, Londra, Istituto Italiano di Cultura, 2007 e Firenze, Galleria Varart 2008; Documenti di pittura 1, 2, 3 e 4 nel 2008, 2010, 2014 alla Gallerie Il Milione di Milano; Simon Benetton, Pontedera 2010; Il corpo solitario. L’autoscatto, Senigallia, Museo d’Arte Moderna e della Fotografia, 2012 e Palazzo della Penna, Perugia 2013; Aspettando l’Expo, Spazio Soderini, Milano 2014.
Ha collaborato alle tre rassegne (1996-1998) Arte italiana degli ultimi trenta anni, del Museo d’Arte Moderna di Bologna; a Il corpo-figura dell’immmagine. Aspetti dell’arte astratta italiana del dopoguerra, Städische Galerie, Rosenheim (Germania) e Museo Civico, Lecco, 2000; Pensare pittura, Genova, Museo di Villa Croce, 2009;
Ha tenuto corsi di formazione per insegnanti e varie conferenze sull’arte contemporanea. È intervenuto numerose volte al GR cultura della RAI e in TV locali e nazionali.
Tra i libri pubblicati, si ricordano La collezione Burri, Gesp Editrice, 1995; Introduzione all’arte contemporanea, Gesp Editrice, 1996; Promuovere l’alluvione: Fluxus e dintorni, Parise Editore, 1997; Il tempo. Scienza, cultura, educazione, Gesp Editrice, 1998; Storia delle Biennali di Gubbio e Museo di Scultura Contemporanea, ed. Silvana, 2006; Maria Mulas, ed. Skira, 2007; La disseminazione, con prefazione di Achille Bonito Oliva, ed. Rubbettino, 2009; Il corpo solitario. L’autoscatto nella fotografia contemporanea, ed. Rubbettino, 2012; Raffaele Rossi. L’apparire della pittura, Ideaazione Editore, 2016

Simona Cresci

Simona Cresci

Simona Cresci is a curator, art critic and writer.
In 2010 Simona founded Associazione Culturale SF Art Working, with a lawyer: Federica Romano and, in March 2014, it became STUDIO ARTE 15. ( http://www.studioarte15.com/en/ )
Simona has curated exhibitions in public and private spaces in Italy and abroad, collaborating with museums, art foundations, and private galleries. Throughout her career she has published numerous original texts in exhibition catalogues and has written reviews for art magazines, including Flash Art, Arte e Critica and Il Giornale dell’Arte.
Simona lectures in Contemporary Visual Arts at the Istituto Superiore di Fotografia in Rome, where she is also Head of External Relations
Simona worked at the Alighiero Boetti Archive, collaborating on the first volume of the annotated catalogue and coordination of appraisal sessions, gaining valuable experience in artwork authenticity, which led her to register as technical consultant in the modern art specialist office at the trial court in Rome.
Motivated and passionate about her work, Simona received a Young Artists’ Oscar in 2011, presented at the Campidoglio on the occasion of the “Giornata Europea”, as a certificate of commendation for perseverance and recognition of the professional results obtained as a curator and art critic.
Simona Cresci holds a degree in Literature and Philosophy from the Department of Art History at La Sapienza University in Rome, and immediately specialized with internships and collaborations with Italian and foreign institutions.

 Alessia Locatelli 1  

Alessia Locatelli

Art Critic, Contemporary Photography/Art Curator Contemporary Art & Photographic Curator Critic
Sept 2006 - present time: Independent Art Critic, Contemporary Photography/Art Curator (last collaboration for Corean Embassy for an exhibit during Expo in Villa Clerici (MI) & Collaborator with art Magazines (http://www.julietart.net/) Consultancies in Art-Photo field.
Sept 2014 - present time: Vertical part-time collaboration with a Corporate (IT-USA) fine-art print lab and Conservation services for Photography. Archives Consultancies, Communication (also social /web) and Event, Marketing
Jan 2011 – Jan 2014: part-time communication account & Event Manager for a Fine Art photography Lab (www.spazio81.it) which is involved in important projects and works with Masters of Italian photography (http://www.spazio81.net/wpsite?cat=3). Based in Milan (IT). Communication, Event curator, sponsorship,, Pr
Jan.08-May11: Communication area - PR and Event Manager for REME srl, an Italian distributor of Optical Luxury Brands (OliverPeoples/USA, Lafont Paris, Kirkoriginals/UK, JFREY/F)
Before....
• 2007: head of Communication for "Opificiotrame"( www. opificiotrame.org/) that aims to exploit and to spread the independent forms of production between theater, literary, music, arts and multimedia productions. She organized two editions of Dancetheater Festival and visual performances "Fabricatanze”. (Italy) Activities: project managing /organization, Found rising, management timetable, contacts and PR with the institutional and private references, communication, research location, tickets and show preparation.
• 2007: Critic texts (cfr. the Berliner "Photography now”) also for deprived (ex_M. Magrini for a personal exhibit. in Japan) and communication for cultural events. - Consultancies for Companies-private, always in cultural-artistic settings (ex_ for the MDAEventswww.mdarte.it- and Mya Lurgo- www.myalurgo.com, artist that works between Italy and Switzerland). - Little experience as Copywriter (www.inarea.com)
• Collaboration as freelance with the Italian Touring Club (section: archive).
• 2005-2007: Junior Assistant -as Freelance- of Mr. Denis Curtis, director of Contrasto Agency (www.contrasto.it/) in Milan (representing in Italy Magnum Photographers), with experiences in Communication and event organization as: “Canon Award for young photographers”(’06-07) and 2005 Edition of “FestivalFoto”(FC), one of the best-known Photographic Workshop in Italy (2005 edition: G. B. Gardin, Oliviero Toscani).

Antonino Benincasa   

 Antonino Benincasa

 

 Antonino Benincasa has more than twenty years of experience in the field of design and visual communication in Germany, Switzerland, the Netherlands and Italy. He graduated in visual communication from the University of Applied Sciences, HfG Schwäbisch Gmünd in Germany in 1993. In 1996 he moved from Germany to Milan, Italy, where he founded Husmann-Benincasa Corporate & Brand Design together with his wife Nicole Husmann. As creative director of Husmann-Benincasa Corporate & Brand Design he designed the logo and the corporate identity of the 2006 Turin Olympic Winter Games, of the Paralympic Games and of all related sub-brands. He is an internationally renowned designer who has won several prizes and has had his work published on a multitude of occasions. From 1997-2005 Antonino taught communication design at the Faculty of Design of the Politecnico di Milano. In 2005 he became a tenured professor at the Faculty of Design and Art of the Free University of Bozen-Bolzano, where he teaches communication design, mainly focusing on typography and editorial design. From 2010 to 2014 Antonino was Head of the Bachelor programme in Design and Art.

Antonietta Tordino  Antonietta Tordino

 

Presidente do Comitê Nacional Brasileiro da Associação Internacional de Artes Plásticas (AIAP), Associada à Unesco, participa na República Tcheca como fiscal da região da América Latina e Caribe, como representante do Brasil, na XVIII Assembleia Geral da entidade e no Congresso Mundial sobre a condição dos artistas plásticos, eventos que ocorrem na cidade de Pilsen entre 15 e 18/10/16.

 

 

   
   
   
   
   

  

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